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Introduction - Addha Tintaal:
Addha Tintaal or in short is called 'Addha' is played in most of the semi-classical Indian musical forms like Thumri, Dadra, Ghazal, etc It is a variation of the familiar Tintaal but has a distinct taste due to its unique rhythm structure. Addha Tintaal is lighter than traditional Tintaal but offers intricate rhythms that are favored in semi-classical music.
Structure - Addha Tintaal:
Addha Tintaal contains 16 beats divided into four sections (vibhags) of four beats each.
| Characteristic | Details |
|---|---|
| Taal/Theka | Addha Tintaal |
| Beats/Matra | 16 |
| Divisions/Vibhag | 4 (4/4/4/4) |
| Clap/Tali | 3 (On 1st, 5th, and 13th beats) |
| Sam | On 1st beat |
| Wave/Khali | 1 (On 9th beat) |
| Tempo/Laya | Medium |
Theka (Basic Pattern):
- The basic tabla pattern for Addha Tintaal is essential to understand its rhythm. Here's how it is notated:
Applications in Music:
Addha Tintaal is commonly used in:
- Vocal Compositions: Often found in Khayal, Thumri, and other vocal forms where it adds depth to melodic phrases.
- Instrumental Performances: Tabla players use it to showcase their skills, particularly in solo performances.
- Dance Forms: Classical dance styles like Kathak use Addha Tintaal for dynamic rhythmic patterns and expressive movements.
Conclusion:
Addha Tintaal offers an intricate and expressive rhythmic pattern, suitable for semi-classical and light classical genres such as Thumri, Dadra, and Ghazal. Its flowing nature enhances the emotive quality of the compositions it supports.
Taal Sign:
- 'Sam' is marked by an (x).
- 'Wave' is indicated by a (0).
- 'Clap' is represented by its number (1, 5, 13).
The notation of the taal follows the Bhath Khande Swarlipi method.
Read also - Badi Sawari Taal
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