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'Badi sawari taal can be classified into a rhythmic cycle that is indispensable in Hindustani classical music. Its structure is simple.
Structure-Badi Sawari Taal :
This taal is a special 16-beat rhythmic cycle. It has 8 divisions of 2 beats each.5 This rhythm includes Claps on the 1st, 5th,9th,11st, 13th beats. It also has 3 waves on the 3rd,7th, 15th beats.
| Taal/Theka | : | Badi sawri taal |
|---|---|---|
| Beats | : | 16 |
| Division | : | 8(2|2|2|2|2|2|2|2) |
| Clap | : | 5(On 1st,5th,9th,11st,13thbeats) |
| Wave(0) | : | 3(On 3rd,7th,,15stbeats) |
| Sam(x) | : | 1 (On 1stbeats) |
| Tempo | : | Medium |
Badi sawari taal 16 beats :
What is Aad Layakari :
Aad layakari, in particular, means that the rhythm, as the singing or playing is done one-and-a-half times as brisk as the base tempo, simultaneously dividing the taal into 1. 5 parts. It creates a rhythmic tone that is unique and quite clever by the performer and can easily be confusing for the audience.
Badi Sawari Aad Layakari :
For instance Badi sawari taal aad Layakari pertains to the application of One and a half times the normal speed of the taal. It creates a rhythmic tone that is unique.
Taal sign :
Taal sign :
- Sam- is shown by an (x) cross
- wave- is shown by (0) zero
- Clap- is shown by its number
- Pause- is shown by (S)
- Divisions- is shown by(I) Bar
The notation of the taal is written according to the Bhath khande Swarlipi method.
Read more: Sooltaal taal aad layakari
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