Tivra Taal How To Make Beautiful 'aad Layakari'

Welcome to my Tabla Theka blog.

Introduction-Tivra Taal:
Tivra taal theka:
What is Aad layakari:
Tivra taal aad layakari :
Usage of tivra taal aad layakari :
Conclusion :

Introduction-Tivra Taal :

Tivra taal The tivra taal is a special rhythm used in Indian classical music. The tibra taal is usually composed of 7 beats. It is divided into 3 parts, 1st section has 3 beats,2nd sections has 2 beats and 3rd section has 2 beats.

Tivra taal theka :

What is Aad layakari :

Aad Layakari is a specific type of layakari in which each beat of the rhythm is divided by one and a half times the original beat. For example, if the original beat is in a cycle of 4 beats, then 'ad layakari' would include playing patterns that effectively fit 6 beats into the same cycle.

Tivra taal aad layakari :

Tivra taal Aad Layakari is termed where in a rhythmic cycle, a definite portion is segregated into 1.5 Of the original structure five times the size. Arranging the seven beats about Tivra Taal, the ideas are broken down into a 1. 5 rhythmic pattern which is not very easy for the performer as well as the listener. For instance, if Tivra Taal is used in aad layakari, then the music has to be composed in such a way that it has to fit in some kind of a cycle with 1.5 Five times the number of seven beats. This performs an interesting beat, when done right, making it a nice twist in the overall performance. Aad layakari is a more advanced method of performing and needs the expertise of the taal and its rhythm hence it is performed mainly by senior artists.

Usage of tivra taal aad layakari :

Tivra Taal is most frequently used in semi-classical forms, including Thumri, Dadra, and Kajri. It is also a favorite choice for Kathak dancers, the rhythm pattern of this Taal helps the dancers in making beautiful footwork steps.

Here's an example of how Tivra Taal can be used in a Kathak performance:

To establish the taal, the dancer may then add taal bhed, or footwork patterns to match the seven beats of the taal; the dancer may then move from slow to fast layakari which might include aad layakari.
The tabla would complement the dancer in such a way that the dancer would try out various figurative matrices within Tivra Taal and so would the beats when played on the drum.

Conclusion :

Tivra Taal with Aad Layakari is the advanced rhythmic concept used to enrich and intensify the complexity of any classical program. For those with an understanding of Indian classical music or for the artists performing the music this rhythmic cycle is a wonderful challenge and an experience. When it comes to 7 Beats and Aad Layakari, it is possible to find new approaches in expanding the limits of the presented rhythm and developing further ideas on improvisation.

Taal sign :

'Sam' is shown by an (x) cross
'wave' is shown by (0) zero
'Clap' is shown by its number
'Pause' is shown by (S)
'Divisions' is shown by(I) Bar

The notation of the taal is written according to the Bhath khande Swarlipi method.